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Old Believers.

The Passion Narrative, The Life of St Basil the New, The Visions of St Gregory and St Theodora, The Legend of Joseph, The Creation and Fate of the Soul, A Son rescuing his mother from Purgatory. Russia, 18th century. 4to (184 x 236 mm). Russian Church Slavonic manuscript on paper. 366 ff., ca. 20 lines of Cyrillic half-uncial in three hands. Watermarks: arms of Amsterdam and Pro Patria. Rubricated titles and initials, decorated headpieces, initials, and borders; 143 full-page colour-wash miniatures within decorated borders. Contemporary Russian red velvet over bevelled wooden boards, 2 brass clasps with velvet-covered leather straps, brass furniture on rear cover, all edges gilt and goffered. A splendidly illustrated Old Believer miscellany devoted to the Passion, exemplary sanctity, and the fate of the soul. This copy stands out for the scale and ambition of its pictorial programme, preserving 143 full-page miniatures in a rich contemporary Russian velvet binding. The volume assembles five key didactic and devotional texts from the Old Believer manuscript tradition, blending biblical, hagiographic, apocryphal, and popular material in a form designed to instruct as much as to move. The Passion Narrative recounts the events of Holy Week; the Life of St Basil the New with the visions of St Theodora and St Gregory unfolds the punishments of sinners and the posthumous passage of the soul; the Legend of Joseph follows the patriarch from birth to Egypt and Pharaoh’s dream; the final two texts, conceived as picture books with minimal text, treat Creation, the destiny of the soul, and filial redemption from Purgatory. Particularly striking are the eschatological scenes in the vision of St Theodora, where the soul passes through the aerial toll-houses and confronts demons who record sins on scrolls and attempt to drag it to hell. Elsewhere the manuscript dwells on the Harrowing of Hell, the Crucifixion, Cain and Abel, the decay of the body after death, and the charitable rescue of a mother's soul, shaping coherent moral instruction through image as much as text. Old Believer book culture regarded the manuscript as a synthesis of verbal and visual art, and its communities deliberately sustained archaic textual and pictorial modes in resistance to both ecclesiastical reform and the authority of print. Produced after the schism provoked by the reforms of Patriarch Nikon and the Synod of 1666, manuscripts of this kind linked persecuted communities to an imagined continuity with Ancient Russia while serving as vehicles of devotion, instruction, and confessional identity. The present manuscript is thus both a major survival of Old Believer visual culture and an unusually luxurious witness to its devotional life, preserved with its full cycle of miniatures, ornamental apparatus, and sumptuous contemporary binding.

Sachgebiete: Handschriften, Illustrierte Bücher, Theologie

02.09.2026 - 12:17

85000,- EUR

Inlibris GmbH

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Daihannya-kyo (Mahaprajnaparamita sutra). Books 1 and 100.

Japan, Nara, monastery of Kofuku-ji, 1227. 2 woodblock-printed scrolls (26.3 x 892 cm; 26.3 x 864 cm), the first made up of 14 joined leaves, the second of 9 joined leaves. Chinese text. Stored in a fitted wooden case. Rare survival from the completed 1227 Kofuku-ji printing of the Daihannya-kyo, the monumental Mahaprajnaparamita sutra, here preserving Books 1 and 100 in their original handscroll format, with the distinction of documented temple provenance. Printed at the Nara monastery of Kofuku-ji, the set belongs to the great medieval Japanese campaigns of Buddhist textual production, in which the physical multiplication of scripture served not only study and recitation but also the ritual projection of merit and protection. The text had entered East Asia through the translation made by Xuan Zhuang in 663, and the present scrolls stand within that long afterlife of transmission, showing how the vast scripture continued to be stabilized, circulated, and used in Kamakura-period Japan. Their preservation as two substantial fascicles, each still measuring more than eight metres in length, gives the object an immediately persuasive material authority; the wooden storage box further retains the character of the ensemble as a temple book-object rather than a detached textual fragment. Produced in the same year that the Karoku-ban campaign reached completion, these scrolls constitute a concise witness to one of the defining centres of Buddhist printing in medieval Nara and to the enduring prestige of the Daihannya-kyo in Japanese religious culture.

Sachgebiete: Buddhismus, Japan, Philosophie, Theologie

02.09.2026 - 12:12

65000,- EUR

Inlibris GmbH

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Wagner, Hanns.

Kurtze doch gegründte beschreibung des Durchleuchtigen Fürsten Wilhalmen, Pfaltzgraven bey Rhein. München, Adam Berg, 1568. Folio (300 x 410 mm). 67 ff. With 15 folding etched plates; woodcut initials and ornamental tailpieces. Title with large woodcut arms of Bavaria and Lorraine in contemporary colour. 19th-century half vellum and marbled paper over boards, green leather label lettered in gilt on upper cover, manuscript title to spine. First edition of this monumental Bavarian festival book, considered one of the rarest, most significant and most lavish produced in sixteenth-century Europe. Wagner’s official narrative records the Munich wedding festivities of Wilhelm V, Duke of Bavaria, and Renata of Lorraine, and preserves them as a statement of Wittelsbach dynastic theatre. This is one of the special copies where each fête plate is strikingly bordered in black and fully coloured by a contemporary 16th-century hand, a level of finish not present in the ordinary issue. - The volume opens with the armorial title and proceeds to the great etched sequence after Nikolaus Solis, whose vast fold-outs choreograph processions, ceremonies, banquets, dances, masquerade, and the tournament programme in the city square. Solis’s plates are among the defining graphic documents of German court spectacle, rendered with a precision that makes them primary evidence for costume, ephemeral architecture, and interior decoration in the later Renaissance. - Festival books of this kind functioned as portable monuments: commissioned to fix a fleeting event, they circulated as curated images of princely magnificence and political order. Produced with remarkable speed after the celebrations of February/March 1568, Wagner’s account crystallises the rhetoric of chivalric display at the moment when court festival culture was taking on its mature, pan-European form. - The present copy is complete with 15 plates, including the extraordinary long folding plate (ca. 151.5 cm), and retains fine contemporary colouring throughout, enhancing the black-bordered framing that intensifies the theatrical effect of the scenes. A tall, wide-margined copy, preserving the full visual impact of the fold-outs and the intended contrast between dense Fraktur text and the expansive pictorial sequence.

Sachgebiete: Alte Drucke 16. Jahrhundert , Festlichkeiten, Geschichte, Illustrierte Bücher

02.09.2026 - 12:08

55000,- EUR

Inlibris GmbH

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Aron of Kangeq / Rinch, Hinrik.

Kaladlit Okalluktualliait (Grönlandske Folkesagn / Greenlandic Folktales). Nuuk, Lars Møller, i Inspectoratets Bogtrykkeri, 1859-1863. 8vo (141 x 211 mm). 4 vols. 1) (8), 136 pp. with coloured vignette at front, 12 woodcuts and 8 lithographed plates of music. 2) (8), 111 pp. with woodcut vignette, 7 black-and-white and 12 hand-coloured woodcuts, and two folding maps of the area around Nuuk by S. Kleinschmidt. 3) (6), 136 pp. with 12 black-and-white and 2 hand-coloured lithographs. 4) (6), 123 pp. with 3 woodcut plates and 8 woodcuts in text. Original printed boards. In a custom blue-green morocco solander box. A landmark collection of Greenlandic folk-tales, told and illustrated by native Greenlanders, printed on the first major printing-press in the country. The stories drew on centuries of oral tradition, and included topics such as conflict between the Greenlanders and the Norse colonists who settled the country during the Viking Age. These four volumes are illustrated with numerous woodcuts, most of them by the native hunter and artist Aron of Kangeq, executed in a distinctive and evocative style. Although overseen by the Danish administrator Hinrich Rink, the stories, the artwork and the printing are all the work of native Greenlanders, making this work a testimony to Greenlanders' agency in preserving their culture in the face of imperialism. Some of the tales are set in the distant past, when southern Greenland still had Norse inhabitants, descendants of Viking-Age settlers, called "Kablunaks" by the Greenlanders. Although legendary in character, the tales relate how the Greenlanders and Kablunaks came into contact in the area around Nuuk and lived in harmony until strife was sown by the maid Navaranak. She tricked the Kablunaks into attacking the Greenlanders, who counterattacked in boats camoflauged with hides to look like blocks of ice. We also hear of the revenge of the Greenlander Kasape on the Kablunak chieftain Ongurtok, who had killed his brother: one of the most memorable illustrations shows Kasape holding up Ongurtok's severed arm to show it to him before he died. The tales are printed in the original Greenlandic with a facing-page Danish translation (except in Vol. III, which appends an abbreviated translation after the Greenlandic text). The collection came into being under the oversight of the Danish colonial administrator Hinrich Rink, who arrived in Greenland in 1848. Rink became concerned with the deleterious effects that colonialism and missionary work was having, not merely on the Greenlanders' physical wellbeing, but also on their language and culture. To combat this, he set up local councils, reinstated the native religious leaders (Angakoks) who had been banned by the missionaries, and began an initiative to collect oral traditions. In 1857 he established the first serious printing-press on Greenland, operated by his native assistant, Lars Møller. The first two volumes are illustrated with the work of the Greenlandic hunter Aron of Kangeq. Hearing of his artistic talent, Rink supplied with tools for producing woodcuts, and the results were works of striking, raw evocative power to accompany the narratives. Of the 30 full-page woodcuts by Aron, 12 in these volumes are hand-coloured. In volumes III and IV, the illustrations were produced by Møller on Greenland's first lithographic press. The two maps in vol. 2 are rarities in their own right and not always included with the set: also prepared from information provided by Aron of Kangeq, they show the hunting-areas and sites connected with Norse settlement discussed in the text. They were printed in 1860 by S. Kleinschmidt, also on Rink's press in Nuuk. Greenland was settled by Norse colonists from Iceland and Norway in the tenth century, during the medieval warm period, when the southern part of the island offered suitable land for agriculture. The Inuit Greenlanders, whose way of life was based on hunting and fishing, lived further north at the time. As the climate grew colder in the later Middle Ages, the Norse colony disappeared, and the Inuit spread further south. Danish-Norwegian colonists arrived under the missionary Hans Egede in 1721, hoping to find some remnants of the Norse settlers. None were found, but the new settlers brought the country under the Danish crown. Colonialism left a lasting mark on the native population and their culture, with early missionaries producing dictionaries and grammars of the Greenlandic language but also suppressing their religion and traditions. Rink and the Greenlanders he worked with played a vital role in preserving these from extinction. Rare: Rare Book Hub records only two other complete sets sold at auction within the last decades. A stunning monument to Greenlandic culture, art and language.

Sachgebiete: Arktis/Antarktis, Dänemark, Indigene Kulturen, Skandinavien, Sprachwissenschaft

02.09.2026 - 11:57

40000,- EUR

Inlibris GmbH

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Mansur ibn Ilyas.

Tashrih-i Mansuri (Mansur's Anatomy). Folio (216 x 300 mm). Main text is 31 ff. of a total of 89 ff. Persian manuscript on paper. Black nasta'liq script, with important words and phrases picked out in red. With 6 large hand-painted medical diagrams. Contemporary black morocco decorated in gilt, with later spine. The famous and fabulously illustrated book of anatomy by Mansur ibn Ilyas, featuring six large medical diagrams of humans. Each diagram shows a different aspect of the human anatomy, such as the digestive tract, the female reproductive system, the ocular nerves and spinal column, and the skeleton; important aspects of these anatomies (in one case the ribs, in another the intestines) are picked out in gold, and nerves and blood vessels are traced in green and orange. Mansur was a physician from Shiraz at the height of the Timurid Empire, and dedicated this medical work to the grandson of Tamerlane. In Mansur's time, medical diagrams were all but unheard of, especially in Muslim manuscripts. Debate continues among scholars over whether he was truly the first Muslim physician to create an illustrated anatomy, but the impact and novelty of his effort was indisputable, especially his relatively accurate depiction of pregnancy. The diagrams in a manuscript of "Tashrih-i Mansuri" are considered as integral to the work as the text itself, and were thus preserved in the manuscript tradition for hundreds of years. Collected alongside Mansur's magnum opus is a fascinating collection of shorter medical works, including "Dar Mazar Tarakib-i Afyun" ("On the harms of opioid compounds"), Mawlana Yusufi's "Tibb-i Yusufi" (here under the variant title "Jami' al-fava'id"), "Risalah Dar Marifat-i Hamiyat" ("A treatise on fevers") by an anonymous author, and a dictionary of medical terms.

Sachgebiete: Handschriften, Islam, Medizin

02.09.2026 - 11:49

45000,- EUR

Inlibris GmbH