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[Sagaun, Miguel; Bernardino Aznares]. Concordia aromatariorum Caesaraugustanensium [UNIQUE MANUSCRIPT COPY OF ONE OF THE EARLIEST KNOWN PHARMACOPEIAS]

[Spain] 1651. Manuscript. Large quarto (28 by 20 cm). Manuscript in brown ink. [4 (Sirup Regis Philippi; copy of title page; title page; blank)], [12 (Ad lectorem; Divisio libri; Carmina in laudem operis; Tractatus de po[n]derib[us] et mensuris; Declaracio[n] de los simples de Mesue)], [3]-177 (Epithome omnium antidotoru[m]; [Tractatus synonomorum]; Tractatus in quo precia omnium medicamentoru[m] simpliciu[m])...; Index antidotoru[m]), [5 (Index continued), [2 (addition recipes)] pp. Title within architectural frame (frame playfully copied by a somewhat later hand on the facing page with additional ornamentation. Contemporary vellum; manuscript title at spine (faded). Text in Latin and Spanish (Introducion; Los Simples de Mesue). Written throughout in a neat hand in brown ink. Due to the different quality of the paper, some quires are more tanned and foxed, and the ink ghosts stronger. Some staining and smudging throughout (but not obscuring text). Few leaves unevenly trimmed at the edges or corners. Page 75 with closed tear at lower gutter and inner margin, not affecting the text. A good or better copy on crisp paper. Unique manuscript copy of a 16th-century Spanish pharmacopeia. The present manuscript and a single surviving printed edition (Biblioteca de la Real Academia de Farmacia de Madrid) are the only early modern witnesses of this version of the text. One of the first pharmacopeias in the world, (preceded only by Florence and Barcelona), Concordia aromatariorum Caesaragustanensium, was printed at Zaragoza in 1553 by Stephen de Nagera (Esteban Godinez de Nájera) (Haebler, 1897) and is regarded as a revised and much expanded second edition of the 1546 Concordia aromatariorum ciuitatis Cesarauguste, printed by Pedro Bernuz and Bartolomé de Nájera. Besides the variant titles and authors (1546: Jerónimo Assín Mayor with Bernardino Aznares; 1553: Miguel Sagaun with Bernardino Aznares), the two works differ significantly in both structure and content, as well as in the terminolgy used for the various substances. Apart from a revised guide to pricing, the 1553 edition also includes a chapter on simple aromatics written in Spanish verse after Mesue ([Declaracion de] Los simples de Mesué), and a 10-page treatise on synonyms (Tractatus Synonomorum), in which a significant number of words appear in vulgar dialects, along with references to the classic works where they are cited, and guidance for the apothecary to substitute certain products with others to produce the same pharmacological effect. (Francés Causapé 2001, p. 17) (Devaux Guy, 2010). While the 1546 Concordia describes 248 formulations, the 1553 edition almost doubles this number to 447, and for the first time in pharmaceutical literature, classifies formulas containing opium as narcotics (stupefacentibus). (Blasco Nogués 2001, p. 7). Both Concordias are written in Latin (except for the Introduction and the aforementioned chapter on simple aromatics in the 1553 edition). They are based on the Galenic and Arabic traditions, the latter derived fundamentally from the works of Mesue (Yuhanna ibn Masawaih, ca. 777–857 , an Assyrian scholar and physician from the House of Gundishapur, one of the Sassanian centres of education). Other important influences include the medieval and Renaissance teachings of the Schools of Salerno and Montpellier, along with the French physician Guy de Chauliac, and the Italian surgeon Giovanni da Vigo. In the 1553 edition, the influence of the medical schools of Padua, Bologna, and Ferrara, along with the apothecary Giovanni Giacomo Manlio di Bosco, can be seen as well. (Devaux 2010) (Francés Causapé 2012). Written by Miguel Sagaun, then President of the Colegio de Boticarios de Zaragoza (College of Apothecaries of Zaragoza), and Bernardino Aznares (who collaborated in the writing of the earlier edition), the only known copy of the 1553 edition is held at the Biblioteca de la Real Academia de Farmacia de Madrid. It comprises a title page, a dedication to the reader (Ad lectorem) which explains the three main parts of the book, followed by a treatise on weights and measures (Tractatus de ponderibus & mensuris), an introduction in Spanish (Introducion), and the “declaration of the simples of Mesue” ([Declaracion de] Los simples de Mesué), a description of simple medical substances in Spanish verse in the genre of the Salerno School. The main text begins with the first part introduced in the Ad lectorem on antidotes (De Antidotis), divided into fifteen classes (pp. [3]-165 in our manuscript); the doses are indicated at the right margin, and many synonyms are inserted at the left, along with occasional explanatory notes. The remaining sections comprise the treatise on synonyms (Tractatus Synonomorum); the price list (Tarifa); and an Index. Our manuscript follows essentially the text and layout characteristics of the 1553 printed edition. Notably, the introduction to the price list (Tractatus in quo precia omnium medicamentorum...) is included, but the listing itself has been omitted. In addition, six extra formulations that could not be found in the printed edition are included, of which two are merged into the text, Pulb[is] hiere sim. Galeni on. pp. 56–57, and Unguentu[m] pleureticu[m] Mesue Cap. de aqua cicerum on. p. 147, and four written on the first (Sirup Regis Philippi)) and the last leaves (Ung. Cometisse […]; [unnamed]; Ung. Magistralis). The synonyms indicated on the left margins differ in places from the printed edition, some newly added to the manuscript, and some cancelled (just like the outdated price list). The closing Index here, unlike that in the only known printed copy (with major tear and gaps), appears to be complete. The dated colophon (1651) appears on p. 175, at the close of the treatise on synonyms. Provenance and annotations: Pascual Savall’s bookplate on inner front panel. The title written in pencil on the inner front panel in a later hand. A later sheet with bibliographical notes (Sanchez’s Bibliografia Aragonesa) mounted on the second free endpaper. Amended with several old, but somewhat later marginal notes in ink by another neat hand. Extra formulations written on the recto of the first leaf, and three more on the last leaf by a contemporary (probably the same) hand. This copy is mentioned in Dionisio Hidalgo’s Boletín bibliográfico español under no. 936 (Hidalgo 1864). Hidalgo claims that the printed book must have been extremely rare already in the 17th century, which is the reason for the existence of this manuscript of 1651. At the end of the entry, Hidalgo refers to the present copy, from “Biblioteca de D. Pascual Savall, en Zaragoza”, apparently Pascual Savall y Dronda, prosecutor (teniente fiscal) at the Zaragoza Court, (co)author of books on the legal history of Aragon and Zaragoza, and an eminent collector of books and manuscripts.

Sachgebiete: Handschriften, Medizin, Mittelalter, Pharmazie, Spanien

31.07.2026 - 23:52

35000,- EUR

Eric Chaim Kline Bookseller

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Tacitus, Gaius Cornelius. Vita di Giulio Agricola scritta da Cornelio Tacito (Life of Julius Agricola written by Cornelius Tacitus) [MANUSCRIPT FROM THE THOMAS PHILLIPPS COLLECTION]

[Italy] 1650. Manuscript. Small folio (21.5 by 26.5 cm). 124, [1]pp. Contemporary sprinkled rustica boards, with manucript title at spine: "Vita di Agricola di Tacito." First leaf loose; touches of marginal foxing, else clean, easily legible text on crisp paper. Text in Latin and Italian (with corrections in same hand) on facing pages, 20-24 lines per page. Nearly fine copy. Manuscript (ca. 17th-18th cent.) text of Tacitus' Agricola in Latin and Italian, Phillipps MS 19272. The Italian translation does not correspond to either of the following early modern versions: 1. Giovanni Maria Manelli's La Vita di Giulio Agricola Scritta Sincerissamente (London: J. Wolfe, 1585), which appears to be a rare work. The present translation varies considerably from this earlier version. 2. In: Opera (Venice: Giunti, 1628; 1644), "trasportati dalla lingua castigliana nella toscana da D. Girolamo Canini d'Anghiari" [translated from the Castilian language into Tuscan by D. Girolamo Canini d'Anghiari] noted at title, but the caption title to the Agricola in the 1644 edition notes: "Tradotta in vulgar senese dal Signor Adriano Politi, & illustrata da D. Girolamo Canini" [translated into the Sienese vernacular by Signor Adriano Politi, and illustrated by D. Girolamo Canini]. Written around 98 C.E., "Agricola" is Tacitus' first historical work. It recounts the life of his father-in-law Gnaeus Julius Agricola, an eminent Roman general. It also covers, briefly, the geography and ethnography of ancient Britain. As in the Germania, Tacitus favorably contrasts the liberty of the native Britons to the corruption and tyranny of the Empire. The work has a strong anti-despotic tone and contains eloquent and vicious polemics against the rapacity and greed of Rome. Tacitus sets the despotism of Domitian against the merits of Agricola: an incorruptible officer and a great commander, who fitted the model of the mos maiorum ("the custom of the forefathers", the presumed superior morality of an earlier time). The writer implicitly says that, as the Empire should be accepted as a necessary evil, one has to keep one's dignity without mixing up one's own responsibility with the responsibility of an arbitrary despot like Domitian. One can be an honest and scrupulous officer, doing his job with serenity and in collaboration with the regime, keeping his job and keeping the interest of the state, waiting for a better age, when a writer would be able to write in freedom. Provenance and annotations: Small printed label at spine tail with library number "12972" (Phillipps MS 12972 noted in pencil at bottom margin of the first leaf); old label with number "164." affixed to front board. Printed label affixed at rear pastedown, "Carleton P. Small," with the following information added in ink: 11/15/29; [case] 7; [section] 4; [remark] Portland, Maine; [no.] 993; 17th Cent. MS. Sir Thomas Phillips (1792-1872) assembled one of the largest private collections ever, comprised of manuscripts, books, paintings, drawings, prints, photographs, and other materials. The manuscript portion alone numbered between forty- and sixty thousand items largely collected from the dispersal of religous libraries in France and Italy in the late eighteenth- and early nineteenth centuries. Reference: Catalogus librorum manuscriptorum in bibliotheca D. Thomae Phillipps, no. 12972 (p.229): "Taciti Vita Agricolae, Latin and Italian, pp. 124." #18737

Sachgebiete: Antike, Altphilologie, Italien, Literatur bis ca. 1900, Handschriften

31.07.2026 - 23:42

5000,- EUR

Eric Chaim Kline Bookseller

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Judenschaft von Veitshöchheim. Huldigungsschrift für Georg Karl von Fechenbach, Fürstbischof von Würzburg [THE JEWISH COMMUNITY OF WÜRZBURG WELCOMES PRINCE-BISHOP GEORG KARL VON FECHENBACH] [MANUSCRIPT]

Würzburg. 1795. Manuscript. Quarto (folio). Unpaginated, 6 leaves. Original pink silk-covered boards with gilt stamped borders. Manuscript on soft vellum. First leaf with floral border design heightened in gold. The handwriting is very carefully executed and perfectly preserved. In this original document the Jewish community of Veitshöchheim expresses obedience, pays homage to and blesses Georg Karl v. Fechenbach (1749-1805), who was the last prince-bishop of Würzburg in Franconia, a region situated in northern Bavaria. This contemporary manuscript documents the formal cooperative relationship between the Jewish community and the regional government and authority through the Catholic church in the person of the prince-bishop. Veitshöchheim is a municipality in the district of Würzburg, in Bavaria, Germany. It is situated on the right bank of the Main, 6 kilometres (4 mi) northwest of Würzburg. In the town is Schloss Veitshöchheim, which was the summer palace of the Prince-Bishops of Würzburg and built in 1680–82. The palace was enlarged to its present appearance in 1753 by Balthasar Neumann. The gardens were redesigned for the Prince-Bishop by Adam Friedrich von Seinsheim (1755–1779), with lakes and waterworks, and filled with hundreds of allegorical sandstone sculptures from the workshops of the court sculptors Ferdinand Tietz and Johann Peter Wagner. The town has a railway station near the palace with a former royal pavilion Jews in Veitshöchheim were first mentioned in the 17th Century. In 1674 there were three Jewish families, only four years later its five, in 1703 eight and 22 families in 1719. Until the beginning of the 19th Century those families were traders of goods and farm animals. Those Families created a very active community life. The congregation had a synagogue, a Mikwe (a ritual bath), and a Cheder (a religious school). The teacher at the cheder was also responsible for the observance of slaughtering according to Jewish law and functioned as the Shaliakh Tzibbur (prayer leader). The congregation used the cemetary of the district of Laudenbach. In 1910 were 70 Jewish people living in Veitshöchheim. Besides being involved within the activities of the general community, there was a very active Jewish life: in the 20th century Fanny Stern founded the Women's League in 1924 and a Chevra Kaddisha was founded in 1895. The last president of the board is since 1932 Ernst Kahn, who remained there till the deportation of the last member of the Jewish congregation in 1942. In 1933 there are 36 members left, only 1.6 % of 2.285 citizens. Until 1939 24 members emigrated and the remainder pretty soon lost their sustenance and lived in poverty. On November 9th, 1938 the windows of all Jewish houses and one shop were destroyed. In February 1942 seven persons were left, only one woman, who lived in a "Mischehe" (Mixed Marriage) survived in Veitshöchheim. Text in German (Gothic script). Binding with some rippling to silk. Binding in overall good, interior in very good condition. #21897

Sachgebiete: Deutschland, Judaica, Politik, Religionsgeschichte, Renaissance

31.07.2026 - 23:26

7500,- EUR

Eric Chaim Kline Bookseller